Blink-182’s pop breakthrough arrived in 1999, with its third album, the quintuple platinum “Enema of the State,” which took punk’s already playful core and gave it a shiny, accessible polish. Its hits were plenty: ecstatic, goofy numbers about teenage uselessness, with a smattering of tender introspection. It was among the catchiest music of the time, which would have been enough. Click here to read the full article on NYTimes.com.